Tuesday, December 29, 2009

Hommage et Respect pour Zakir Cassam Chenai



C'est avec une immense douleur et tristesse que j'ai appris la nouvelle du décès de Zakir Cassam Chenai. 


Voici un mesage que Zakir Cassam Chenai m'avait adressé l'année dernière en juin 2008 et qui avait alors été publié sur ce blog avec son autorisation:


Depuis plusieurs années déjà, nos communautés gujarati en France, à la La Réunion, à Madagascar continuent de dériver vers davantage d'intolérance, de fanatisme et nos cultures indiennes au passé si riche et si varié partent en lambeaux jour après jour à cause de leaders incompétents, démagogiques et fanatiques et une majorité qui s'enterre dans son silence et les laisse faire.

J'espère que le cri du coeur de Zakir ne restera pas vain et que très bientôt les consciences se réveilleront pour un monde meilleur que celui pitoyable et nauséeux que nous offre nos communautés d'aujourd'hui.

Ne connaissant pas les coordonnées de la famille proche de Zakir, je serai bien reconnaissant que l'un d'entre vous transmette le lien vers mon blog pour qu'ils aient connaissance des pensées et paroles de Zakir en guise d'hommage et d'héritage et surtout de leçon.




Monday, November 09, 2009

Conférence le lundi 16 novembre à 18h15 à Paris



CONFÉRENCES DU LUNDI

FFHY avec le parrainage du  Centre de relations culturelles franco-indien
Programme disponible sur  www.confinde.com



Le 16 novembre 2009 à 18 h.  15


Freedom  Fighters en Inde
Les héros de  l'indépendance


par

Catherine  Clément
philosophe, romancière

Catherine Clément évoquera pour nous les Freedom Fighters, ces durs lutteurs de l’indépendance de l’Inde. Parmi ces héros du mouvement national, des figures moins connues  que Gandhi et Nehru seront aussi évoquées : la poétesse Sarojini Naïdu, Sardar Vallabhbhai Patel, Abul Kalam Azad et le “Gandhi des frontières”, le patchoun non-violent, Abdul Ghaffar Khan.

AU CENTRE ANDRÉ  MALRAUX
78, BD RASPAIL / 112, RUE DE RENNES 75006 PARIS - MÉTRO:  RENNES OU SAINT-PLACIDE
Entrée: 8 euros  - Étudiants : 5 euros

Sunday, September 27, 2009

Expo Raj Kapoor du 10 au 25 octobre 2009 à Paris (Espace Accatone)


Voici une exposition fort intéressante sur Raj Kapoor par Sally et François Picard.


Site Web:


http://www.exporajkapoor.com/

Lieu et horaire:

Espace Accattone
20, rue Cujas
75005 Paris


Tous les jours de 14 heures à 21 heures

METRO/RER: Luxembourg ou Saint-Michel

Dates: 10 au 25 octobre

Entrée libre

A visiter également le site fort intéressant de Sally et François Picard:

http://indebollywoodetcie.blogspot.com/

Sunday, September 20, 2009

Un magnifique documentaire sur Arte: Les Jardins de Delhi par Veronika Hofer


Voici un excellent documentaire récemment diffusé sur Arte ("Les Jardins de Delhi"). Ce documentaire est en accès libre et gratuit jusqu'au 25 septembre seulement sur le site d'Arte:


http://plus7.arte.tv/fr/1697660,CmC=2838172,scheduleId=2809638.html

Les jardins de Delhi par Veronika Hofer (Inde - 2009):

Delhi possède des jardins uniques au monde témoignant de la diversité des époques, des religions et des civilisations. (ARTE)

Extrait:

Sunday, August 30, 2009

"‘The valley is left with just one faith. A beautiful garden needs many flowers" (Sanjay Suri)


Voici une très émouvante interview
parue dans le journal/magazine Tehelka (numéro du 22 août 2009) de l'acteur Sanjay Suri (acteur principal du film très audacieux et absolument magnifique My Brother Nikhil).

http://www.tehelka.com/story_main42.asp?filename=hub220809the_valley.asp

Extraits:
What did you notice as the most dramatic change in the Valley? And what had remained the same?

Visually, Kashmir looked like a beautiful widow who had lost her colour, vibrancy and smile, and had an expression of irreversible loss. So much has happened there in the last 20 years that every structure has a story to tell. Twenty years is a long time. After the mass migration of Hindus in the early 1990s, the Valley was left with just one culture and faith. To me, a beautiful garden needs to have all kinds of flowers and not just one kind. That is one change which is so evident and sad. To me, nothing is the same.

[...]

I was visiting “home” after 18 long years. I wonder why I still call it “my home”. Maybe because no other place could give me that feeling of belonging, that identification after having been called a migrant somewhere, a north Indian in another place, sometimes even a refugee in my own country. But that still does not answer my question of why the Valley feels like home. Is it home or is it just memories of home, my childhood, my family, my orchids, my lakes, my rivers, my playground, my chinars, my autumn and spring?

What were some of your more positive impressions while you were there?

I hope I am right in saying that people seemed fed up with this prolonged violence and terrorism. Civilians who once supported the separatist organisations seem to have realised that it was a huge mistake and that all they have got in return is misery. While the world was progressing, Kashmir was burning. The education system, civic facilities, infrastructure, economy, human life — everything has suffered. Finally, it seems they have woken up. At least, I hope so!
Le reste sur le site de Tehelka:

http://www.tehelka.com/story_main42.asp?filename=hub220809the_valley.asp

Un article du journal Le Monde 2 (28 août 2009) : "Tehelka", le journalisme indien selon Tarun Tejpal


Voici un article
très intéressant du journal Le Monde 2 (28 août 2009) sur le journal/magazine Tehelka et sur Tarun Tejpal:


http://www.lemonde.fr/le-monde-2/article/2009/08/28/tehelka-le-journalisme-indien-selon-tarun-tejpal_1232667_1004868.html


Extraits:
Ancien reporter à Outlook et India Todya, il fonde le site Tehelka.com début 2000, pour lancer des enquêtes dérangeantes, reprendre la grande tradition du journalisme d'investigation anglo-saxon, avec ses enquêtes fleuves, ses articles étayés et écrits. Il entend exercer son métier, profiter de la liberté de la presse garantie par la Constitution. Des investisseurs le suivent, des journalistes le rejoignent. Tehelka.com devient du jour au lendemain un titre prestigieux. Et puis tout s'écroule les jours qui suivent la révélation de l'étendue de la corruption. Le gouvernement au pouvoir ne leur pardonne pas.

"J'ai reçu des menaces de mort, raconte Tarun Tejpal. Ils ont tenté de nous salir, nous accusant d'être financés par les services secrets pakistanais. J'étais suivi. J'ai dû prendre des gardes du corps. Mon appartement était protégé par des sacs de sable. Un de nos principaux financiers, Shankar Sharma, a été jeté en prison, les autres ont été intimidés."

Friday, August 28, 2009

Eté indien au musée Guimet (cinémas marathi et malayalam)


Voici le programme très intéressant de l' "Eté indien" (cinémas marathi et malayalam) du musée Guimet à Paris du 07 septembre au 30 octobre 2009:

http://www.guimet.fr/ETE-INDIEN-2009-6eme-edition

C'est vraiment dommage pour les horaires (en plein milieu de la journée!)...mais le vendredi 30 octobre, la séance est à 20h30.

Tuesday, August 25, 2009

Love in India & Taj Mahal: deux excellents documentaires sur Arte

Voici deux excellents documentaires récemment diffusés sur Arte ("Love in India" et "Taj Mahal"). Ces documentaires sont en accès libre et gratuit jusqu'au 30 août seulement sur le site d'Arte:

http://plus7.arte.tv/fr/1697660,CmC=2803036,scheduleId=2778680.html

http://plus7.arte.tv/fr/1697660,CmC=2803038,scheduleId=2785796.html

Love in India (réalisateur: Qaushiq Mukherjee - 2009 - ZDF (Inde, Allemagne, Royaume-Uni))

Une méditation sur le désir, la jouissance et l'érotisme dans l'Inde d'aujourd'hui.

Une jeune femme pleure en lisant une lettre de son bien-aimé - qui n'est autre que le réalisateur. Il lui confie son manque de confiance, ses blessures, son dévouement... C'est ainsi que commence le film de Qaushiq Mukherjee. Sur les traces du dieu Krishna et de Rahda, vénérés comme l'idéal du couple, le documentariste se penche non seulement sur l'amour divin, l'union du coeur et de l'esprit, mais aussi sur l'union sexuelle. Alors qu'aujourd'hui une certaine pruderie semble renaître dans la société indienne, que les mariages sont souvent arrangés, que la violence envers les femmes est monnaie courante et que les baisers en public sont l'objet d'insultes voire de coups de la part de la police, le jeune réalisateur indien interroge des amis et des poètes, à la recherche du mythe perdu de l'amour et de l'érotisme.

Voici un extrait:




Le Taj Mahal (réalisateur: Stephan Koester - 2008 - ZDF (Allemagne))

Retour sur l'héritage spirituel et culturel des dynasties moghole et maurya : la construction du Taj Mahal et la diffusion du bouddhisme en Inde.

Shah Jahan, qui dirige l'empire moghol de 1627 à 1658, ne faillit pas à la tradition violente de sa dynastie : il s'empare du pouvoir par la force à la mort de son père et fait la guerre pour agrandir son empire. Mais c'est son amour pour son épouse Mumtaz Mahal qui lui apportera la gloire. Lorsque celle-ci meurt prématurément, il lui fait ériger un mausolée qui doit dépasser en splendeur tous les édifices connus. Vingt mille ouvriers et mille éléphants y travailleront pendant plus de dix ans. Véritable "poème d'amour en pierre", le Taj Mahal est entièrement fait du marbre blanc le plus pur et incrusté de pierres semi-précieuses. Détrôné à son tour par son fils, Shah Jahan passera les dernières années de sa vie enfermé au fort d'Agra mais reposera après sa mort aux côtés de son épouse, dans ce monument auquel son nom est attaché pour toujours.

Voici un extrait:



[ces deux présentations ont été reprises du site d'Arte - MN]

Tuesday, June 09, 2009

Projection du Film "Gandhi, My Father" à La Sorbonne le mardi 23 juin à 19h (entrée gratuite - sur invitation uniquement)


































Projection du film Gandhi, My Father de Feroz Abbas Khan
(produit par Anil Kapoor) avec Akshaye Khanna et Darshan Jariwala en version originale (Hindi) sous-titrée en anglais à l'amphi Milne Edwards à La Sorbonne (17 rue de la Sorbonne, 75005 Paris / Metro-RER: Luxembourg ou Saint-Michel) le mardi 23 juin 2009 à 19h.

[Voir messages ci-dessous pour les liens et la bande-annonce]

Entrée gratuite (sur invitation uniquement): prière de m'écrire pour recevoir cette invitation car le nombre de places est limité à 70 personnes.

Pour les personnes qui ne sont pas enseignants, étudiants ou membres du personnel administratif de La Sorbonne, il faut une lettre d'invitation pour pouvoir entrer à La Sorbonne, prière de m'écrire pour recevoir cette invitation gratuitement: mounirnassor@yahoo.co.in

Cette lettre d'invitation vous sera adressée dans les 24 heures par email.

Nombre de places limité à 70 personnes.

Trailer / Bande-annonce:



Links:
  • The Mahatma and his son
http://www.hinduonnet.com/thehindu/mag/2007/07/22/stories/2007072250130200.htm
  • Feroz Abbas Khan's thoughts on Gandhi
http://www.bollywood.com/node/1352
-------------------------------------------------------------------------

http://www.hinduonnet.com/thehindu/fr/2007/08/03/stories/2007080350670100.htm

http://www.hinduonnet.com/thehindu/fr/2007/07/06/stories/2007070650760400.htm

http://www.hinduonnet.com/thehindu/fr/2007/08/10/stories/2007081050720400.htm

http://gandhimyfather.erosentertainment.com/

http://www.ferozkhan.com/

http://en.wikipedia.org/wiki/Gandhi,_My_Father

http://www.gandhimyfather.blogspot.com/

http://www.gandhitopia.org/group/mgnd/forum/topics/anil-kapoor-premieres-gandhi

http://www.slantmagazine.com/film/film_review.asp?ID=3001

http://www.channel4.com/film/reviews/film.jsp?id=162428&section=review

http://www.upperstall.com/films/2007/gandhi-my-father

http://www.upperstall.com/films/2007/gandhi-my-father

http://www.guardian.co.uk/film/2007/aug/05/worldcinema.drama

The Making of Gandhi My Father (mostly in Hindi):

Tuesday, May 26, 2009

Projection du Film "Parzania" à La Sorbonne le mardi 02 juin à 19h (entrée gratuite - sur invitation uniquement)






















Projection du film Parzania de Rahul Dholakia avec Naseeruddin Shah en version originale sous-titrée en anglais à l'amphi Milne Edwards à La Sorbonne (17 rue de la Sorbonne, 75005 Paris / Metro-RER: Luxembourg ou Saint-Michel) le mardi 02 juin 2009 à 19h.

[Voir messages ci-dessous pour les articles (extraits) et liens et la bande-annonce]

Entrée gratuite (sur invitation uniquement): prière de m'écrire pour recevoir cette invitation car le nombre de places est limité à 70 personnes.

Pour les personnes qui ne sont pas enseignants, étudiants ou membres du personnel administratif de La Sorbonne, il faut une lettre d'invitation pour pouvoir entrer à La Sorbonne, prière de m'écrire pour recevoir cette invitation gratuitement: mounirnassor@yahoo.co.in

Cette lettre d'invitation vous sera adressée dans les 24 heures par email.

Nombre de places limité à 70 personnes.

Parzania (2005) by Rahul Dholakia

http://en.wikipedia.org/wiki/Parzania

http://www.upperstall.com/films/2005/parzania

http://www.flonnet.com/fl2404/stories/20070309001608200.htm

http://www
.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2007/02/25/MNGGKOAR6A1.DTL&type=politics

http://www.hindu.com/2005/12/03/stories/2005120303661300.htm

http://in.rediff.com/movies/2006/aug/30rahul.htm

http://www.nytimes.com/2007/02/20/movies/20parz.html?_r=4&oref=slogin


http://www.telegraphindia.com/1070124/asp/calcutta/story_7303025.asp#

http://in.rediff.com/movies/2006/aug/31rahul.htm

http://timesofindia.indiatimes.com/articleshow/2266215.cms

http://timesofindia.indiatimes.com/Cities/Ahmedabad/Flicker_of_hope_for_Parzania_in_Gujarat/articleshow/1489796.cms

http://timesofindia.indiatimes.com/Cities/Ahmedabad/Gujarat_will_see_Parzania_if_Bajrangi_says_OK/articleshow/1559020.cms

http://www.hindu.com/mag/2007/08/26/stories/2007082650130500.htm

http://www.thehindu.com/2007/01/27/stories/2007012719171500.htm

http://www.indianexpress.com/news/bad-business-say-theatres-no-parzania-in-g/21792/

A summary:

Parzania is the story of an event that changed the country and the world forever. An American,Allan Webbings (Corin Nemec) arrives in Ahmedabad city. Allan has been searching for answers, praying to find both internal peace and understanding of the horrors that religious difference can create. For this, Allan has chosen India and Gandhi as his subject. It's here that he meets Cyrus (Naseeruddin Shah), the local projectionist who brings the young and troubled intellectual into his beautiful family. Cyrus is a Parsi, he has a beautiful wife, Shernaz (Sarika), a practical woman who after eleven years still can't resist his charisma and charm; then there are the two children – Parzan (Parzan Dastur) an imaginative ten year old that has developed his own world, the world of ‘Parzania’, where the buildings are made of chocolate and the mountains of ice cream, a world that only his eight year old little sister Dilshad (Pearl Barsiwalla) truly understands. Through Cyrus's family, Allan finds his peace. One morning, the beauty and peace that India is so famous for, is rocked beyond measure, as a bomb explodes in a train at Godhra killing Hindus. Within 24 hours, thousands of Muslims are slaughtered, making that day one of the largest acts of communal violence the country has ever seen. And in the midst of the terror and violence, Parzan is missing. While Cyrus fights for his own sanity and searches for his child, Alan battles to uncover the truth behind the riots. Parzania is inspired by a true story...

[From: www.upperstall.com / www.upperstall.com/films/2005/parzania]

Articles and links:

Missing in Gujarat
By Dionne Bunsha (Frontline - Feb 24/March 09, 2007)

http://www.flonnet.com/fl2404/stories/20070309001608200.htm

Extracts from the article:

It is not surprising that Parzania is not screened in the one place where it is most relevant - Gujarat. Theatre owners are scared to screen the film. In the past too, films such as FanaaRang De Basanti were banned because Aamir Khan, the main actor in both films, took a position against the government on the Narmada dam issue. This displeased the ruling Bharatiya Janata Party and its supporters in the Sangh Parivar. They called Khan an "enemy of Gujarat", and the Bajrang Dal threatened violence if any theatre dared to screen his films. Parzania is a realistic film, and there is a great risk that it may displease the ruling powers. Gujarat's film exhibitors prefer to be safe rather than sorry.

[...]

Instead of tacitly supporting the unlawful `ban', the Gujarat government should encourage the screening of this film and ensure total protection to cinema owners, distributors and viewers. It should take stern legal action against those who have gone on record saying that they will not allow this film to be screened," he added. But, there is little faith in a police force that allowed the carnage of 2002. The police let the mobs take over, and when victims pleaded for help, the response was: "We have no orders to save you." Those who orchestrated the attacks are still free and are powerful political leaders. Many continue their reign of terror.

Film about massacre banned in India state / L.A. director had friend who lost son in Hindu slaughter
By Henry Chu, The Los Angeles Times (Sunday, February 25, 2007)

http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2007/02/25/MNGGKOAR6A1.DTL&type=politics

An extract from the article:

"The police hold the power here, and they abuse it," said Johanna Lokhande of the group Nyayagraha, which works on behalf of the survivors.

Dholakia said making "Parzania" was part of the struggle to ensure that what happened is not forgotten -- and not repeated.

"Sometimes it's necessary to reopen wounds, because the solution to hate is to have a healthy debate and open debate about it," Dholakia said. "It's better to have it out in the open and discuss it. You cannot just avoid it."


Turnout spells success for IFFI
By Sudhish Kamath (The Hindu, Dec 03, 2005)

http://www.hindu.com/2005/12/03/stories/2005120303661300.htm

An extract from the article:

Should a film on such a sensitive issue be made, the director was asked. "Have you heard of gangrene? If you ignore it, it could kill you," replied Rahul as the crowd clapped. When a couple of Rashtriya Swayamsevak Sangh (RSS) supporters accused the director of making a film showcasing violence only by Hindu fanatics, the director replied: "If I was making a film on 9/11, I would have shown Muslim fundamentalists. But this one's on Gujarat." The crowd booed the RSS supporters away and gave the filmmaker another bout of applause. Actor Om Puri came to the support of the director by asking the dissenters: "Have you seen Tamas?"

Parzania director: 2006's National award winner?
(Rediff.com - August 30, 2006)

http://in.rediff.com/movies/2006/aug/30rahul.htm

An extract from the article:

Yeah, it's the story about a friend of mine. I was with the family on January 14, flying kites. One month later tragedy struck, in this form. The complete family which was smiling -- the last image I had of them -- was shattered. And why? For what reason? Because they belonged to another religion? Because somebody else committed a crime somewhere else? So all these things were preying on my mind when I was in the process of releasing Kehta Hai Dil.

And it really affected me at that stage that Gujarat where I am from, where that family is from, which is Gandhi's home state, the so-called non-violence state -- they respect prohibition there because it's Gandhi's state, but you go around murdering people openly and nobody does anything about it? So I felt somewhat responsible both morally and socially and I felt that if I don't speak up as a filmmaker then I don't have any right to tell anyone anything else. I'm as guilty as the people who did it. If we don't speak up, who will?


In India, Showing Sectarian Pain to Eyes That Are Closed
By Somini Sengupta (The New York Times, February 20, 2007)

http://www.nytimes.com/2007/02/20/movies/20parz.html?_r=4&oref=slogin

An extract from the article:

For Mr. Dholakia, 40, the riots were an eye-opener. He was at home in Corona, a small town east of Los Angeles where he lives most of the year, when news broke of the fire and the mob violence that followed. There, in placid Corona, he sat and watched the horror unfold on Indian satellite television.

From members of his own family, Hindus who live in Gujarat, he heard satisfaction over the carnage. “Whatever happened, we taught these Muslims a lesson,” he recalled being told. One of his relatives, a 9-year-old boy, said he wished all the Muslims had been killed.

On the third day of the violence, Mr. Dholakia heard about Azhar, the son of his friend Dara Mody, whom he had met years before when Mr. Mody worked as a projectionist at an Indian movie theater in New Jersey. A Hindu mob had attacked the housing complex where the Modys lived. The Modys are Zoroastrians, not Muslims, but the attackers weren’t particularly discriminating, and in the confusion the boy became separated from his family and disappeared.

Being Cyrus and Shernaz
(The Telegraph – Calcutta - January 24, 2007)

http://www.telegraphindia.com/1070124/asp/calcutta/story_7303025.asp#

An extract from the article:

Naseeruddin Shah:

“I did not go in for any research for the character, in the sense that I did not go meet the family before the film. I thought it would be too painful for them to have actors coming and trying to feel their grief. It was not difficult for me to empathise with them, because after all I too am a parent. Also, I think by trying to depict the tragedy and not project the persons as they are, we have been able to make it more universal,” said Naseeruddin, who plays Cyrus, the distraught father. “All films are not made with the view to draw in the audience and make money. Parzania is a story that needed to be told, and I felt I had to be part of it.”

The most poignant memory of the film for him remains meeting the bereaved family, after the shooting was completed. “When I met them, at the very place from where their son had gone missing, I realised that we have been able to portray the tragedy only to a certain extent. And perhaps projecting the full depth of their grief would have been too much to bear for us and for the audience,” said Naseer.

Will Parzania reach theatres?
(Rediff.com - August 31, 2006)

http://in.rediff.com/movies/2006/aug/31rahul.htm

An extract from the article:

During his diatribe, he compares the Vishwa Hindu Parishad to the Ku Klux Klan. Is that how you see it?

Any form of fundamentalism is wrong. Whether it's Nazi, Bajrang Dal or VHP, Muslim fundamentalists, fundamentalists in Chechnya � any form of fundamentalism is harmful to society. It's not about one religion against another, it's about them (the fundamentalists) against someone else, and as soon as you don't agree with them, you're labelled pseudo-secular and anti-something. And any form of fundamentalism is bad, from Osama Bin Laden to the guys committing the heinous crimes in Gujarat.

‘I’ve matured over the years’ [Sarika]
(The Times of India – August 09, 2007)

http://timesofindia.indiatimes.com/articleshow/2266215.cms

Flicker of hope for 'Parzania' in Gujarat
(The Times of India - January 28, 2007)

http://timesofindia.indiatimes.com/Cities/Ahmedabad/Flicker_of_hope_for_Parzania_in_Gujarat/articleshow/1489796.cms

Gujarat will see Parzania if Bajrangi says OK!
(The Times of India – February 03, 2007)

http://timesofindia.indiatimes.com/Cities/Ahmedabad/Gujarat_will_see_Parzania_if_Bajrangi_says_OK/articleshow/1559020.cms

An extract from the article:

Babubhai Patel, who goes by the name Babu Bajrangi because of his affiliation with the saffron outfit, is the one the Gujarat Multiplex Owner's Association would like to invite at a special screening to be held early next week before they take a decision on whether to release it in cinema halls and multiplexes.

Sources said film-maker Rahul Dholakia was aghast when he was told by association president Manubhai Patel that a go-ahead from Bajrangi was necessary if the cinema halls have to protect themselves from mob attacks.

Intrepid director
By Ziya Us Salam
(The Hindu - August 26, 2007

http://www.hindu.com/mag/2007/08/26/stories/2007082650130500.htm

Parzania not in Gujarat
By Manas Dasgupta
(The Hindu - January 27, 2007)

http://www.thehindu.com/2007/01/27/stories/2007012719171500.htm

An extract from the article:

Parzania, a film based on the 2002 Gujarat riots, was not released in any part of the State on Friday. There was no official word on a ban but exhibitors apparently did not want to take a risk.

The Bajrang Dal had told cinema owners that they themselves should see the film first and decide about screening it "keeping the interest of the State in mind." The film was to have been released in some multiplexes here and theatres in the Kutch and Saurashtra regions.

Bad business, say theatres, no Parzania in Gujarat today
By Tanvir A. Siddiqui
(Indian Express - January 26, 2007)

http://www.indianexpress.com/news/bad-business-say-theatres-no-parzania-in-g/21792/

Friday, May 15, 2009

Documentaires sur le site d' Arte et en accès gratuit (durée limitée) sur le Pakistan, l'Inde, le Népal et le Tibet

Népal, au pays des sherpas, documentaire de Peter Weinert (Allemagne - 2007 - 43 minutes)

Accès gratuit jusqu'au 20 mai à partir du lien suivant:

http://plus7.arte.tv/fr/detailPage/1697660,CmC=2621670,scheduleId=2581338.html

Le voyage initiatique d'un jeune sherpa de 7 ans sur les sommets de l'Himalaya.

Où l'on rappelle que sherpa, à l'origine, ne signifie pas "porteur", mais désigne un peuple arrivé du Tibet au Népal il y a cinq siècles. Avec son père et son grand-père, Dorje, un Sherpa de 7 ans, découvre le monastère de Thamé pour la grande fête bouddhique de Mani Rimdu...

[Présentation reprise du site d'Arte - Mounir Nassor]




Shalom India, documentaire de Yoav Shamir (Allemagne, Israël -2007 - 81 minutes)

accès gratuit jusqu'au 16 mai à partir du lien suivant:

http://plus7.arte.tv/fr/detailPage/1697660,CmC=2613702,scheduleId=2581082.html

Traumatisés par leur service militaire, nombre de jeunes Israéliens partent chercher en Inde l'illusion d'un monde de paix. Entre dérives et utopies, Yoav Shamir les a rencontrés.

On estime à deux mille par an le nombre de jeunes Israéliens, hommes et femmes, qui, à l'issue de leur séjour en Inde, ont besoin d'un soutien thérapeutique. Traumatisés souvent par leurs trois années de service militaire et par les opérations guerrières auxquelles ils ont dû participer, ils sont partis, à l'instar des hippies des années 70, avec l'espoir de trouver un nouveau sens à leur vie, dans un monde régi par d'autres règles que le leur. Animés de rêves fous - comme celui de faire de la région de Goa une orangeraie géante avec l'argent de leur prime de départ de l'armée - puis accros à diverses drogues, ils ont cru découvrir la liberté et retrouver une certaine paix, en oubliant les conflits qui ravagent leur pays. Mais certains ont rompu toutes les amarres, pour s'enfoncer dans une marginalité parfois plus menaçante encore pour leur identité.

En Inde, diverses associations s'efforcent de les prendre en charge pour les aider à se réinsérer ensuite en Israël. Le réalisateur Yoav Shamir a suivi deux ans durant le parcours de plusieurs protagonistes. Il nous en livre des portraits saisissants, où se mêlent angoisses et utopies.

[Présentation reprise du sit e d'Arte - Mounir Nassor]


Le long de l'Indus, deux documentaires par Hajo Bergmann (Allemangne, Pakistan - 2008 - 43 minutes)

  • De la mer d'Oman à Lahore
accès gratuit jusqu'au 18 mai à partir du lien suivant:

http://plus7.arte.tv/fr/detailPage/ 1697660,CmC=2616350,schedule Id=2581194.html

  • De Lahore à Shimshal

    La région nord du Pakistan attirait autrefois les trekkers du monde entier avec ses paysages à couper le souffle. Depuis le 11 septembre 2001, le tourisme s'est effondré....[Présentation reprise du site d'Arte - Mounir Nassor]
accès gratuit jusqu'au 19 mai à partir du lien suivant:
http://plus7.arte.tv/fr/detailPage/1697660,CmC=2618774,scheduleId=2581258.html

Tibet, le pèlerinage du mont Kailash, un documentaire de Peter Weinert (Allemagne - 2005 - 43 minutes)

Pour rapporter une statuette sacrée dans un monastère tibétain, un photographe se mêle aux pèlerins du Kailash.

Le photographe Dieter Glogowski doit rapporter clandestinement de Chine une statuette sacrée volée lors de la Révolution culturelle pour la restituer à un monastère tibétain. Muni d'un visa de touriste et accompagné d'une équipe restreinte (il est interdit de filmer au Tibet), il suit le chemin des pèlerins du mont Kailash, vers un reliquaire très difficile d'accès...

[Présentation reprise du site d'Arte - Mounir Nassor]

accès gratuit jusqu'au 19 mai à partir du lien suivant:

http://plus7.arte.tv/fr/detailPage/1697660,CmC=2618782,scheduleId=2581266.html


Sunday, May 03, 2009

Concert du groupe Bollywood Maharadjahs au Satellit Café à Paris le 01 mai 2009

About Bollywood Maharadjahs:

http://www.myspace.com/bollywoodmaharadjahs


Some photos were also taken during this superb concert, check from this link below:
(switch to Internet Explorer or Mozilla Firefox (or vice versa) in case this link does not work)

http://www.neufgiga.com/n/50-17/share/LNK924749fda77f721f0/



Tuesday, April 21, 2009

Film "Dus Kahaniyan" à La Sorbonne le 28 avril à 19h

Projection de courts métrages à partir du recueil Dus Khaniyan (« Ten tales » ou « Dix Histoires») en version originale sous-titrée en anglais à l'amphi Milne Edwards à La Sorbonne (17 rue de la Sorbonne, 75005 Paris / Metro-RER: Luxembourg ou Saint-Michel) le mardi 28 avril 2009 à 19h (entrée gratuite).

Il s’agit de dix histoires par 6 réalisateurs différents : Sanjay Gupta, Hansel Mehta, Meghna Gulzar, Jasmeet Dhodi, Apoorva Lakhia et Rohit Roy). Nous n’aurons probablement pas le temps de voir tous très beaux ces courts-métrages, mais nous essaierons d’en voir quelques-uns des plus beaux:

Rice Plate de Rohit Roy avec Shabana Azmi et Naseeruddin Shah
Gubbare de Sanjay Gupta avec Nana Patekar, Rohit Roy, Anita Hassanandani
Puranmashi de Meghna Gulzar avec Amrita Singh, Parmeet Sethi, Minnisha Lamba
Lovedale de Jasmeet Dhodi avec Anupam Kher, Aftab Shivdasani, Neha Oberoi, Anuradha Patel

Pour les personnes qui ne sont pas enseignants, étudiants ou membres du personnel administratif de La Sorbonne, il faut une lettre d'invitation pour pouvoir entrer à La Sorbonne, prière de m'écrire pour recevoir cette invitation gratuitement: mounirnassor@yahoo.co.in

Cette lettre d'invitation vous sera adressée dans les 24 heures par email.

Nombre de places limité à 70 personnes.

Mounir Nassor

Site officiel:

http://duskahaniyaan.erosentertainment.com/


Wikipedia: "Dus Kahaniyan":

http://en.wikipedia.org/wiki/Dus_Kahaniyaan

Hindustan Times (September 22, 2007):
«Gulzar's poetry to embellish Dus Kahaniyan » by Subhash K.Jha


Indiatimes Movies (December 07, 2007):
« Dus Kahaniyan » by Praveen Lance Fernandes

http://movies.indiatimes.com/moviereview/2603068.cms

Monday, March 23, 2009

Déplacement à Panthéon-Sorbonne de la projection du film d'Aparna Sen

Ce message s'adresse uniquement à tous ceux et toutes celles qui ont prévu de venir à la projection du film d'Aparna Sen (Mr and Mrs Iyer) mardi 24 mars 2009 à 19h.

En raison de grèves à la Sorbonne-Paris IV, les salles de cours et les amphis sont fermés depuis plusieurs jours déjà et c'est le cas
également de l'amphi Milne-Edwards (à La Sorbonne-17 rue de la Sorbonne) où devait avoir lieu cette projection.

Au lieu de cet amphi Milne-Edwards initialement prévu, la projection a été déplacée et aura lieu à la même heure (19h) à l'adresse suivante:

Université de Panthéon-Sorbonne (Paris 1)

12 place du Panthéon

75005 Paris

Amphi 3 (Galerie Soufflot)

Je suis navré de n'avoir pas pu vous prévenir plus tôt car il m'a été très difficile de trouver une solution de remplacement en un si court délai. Je vous présente donc toutes mes excuses.

Votre lettre d'invitation ne change pas, vous devrez la présenter à l'entrée de l'université de Panthéon-Sorbonne.

Avec mes remerciements,


Mounir Nassor

(email : mounirnassor@yahoo.co.in)

Thursday, March 19, 2009

Film "Mr and Mrs Iyer " d'Aparna Sen à La Sorbonne (mardi 24 mars à 19h)


Projection du film Mr and Mrs Iyer d' Aparna Sen (entrée gratuite) en version originale sous-titrée en anglais à l'amphi Milne Edwards à La Sorbonne (17 rue de la Sorbonne, 75005 Paris / Metro-RER: Luxembourg ou Saint-Michel) le mardi 24 mars 2009 à 19h.

Pour les personnes qui ne sont pas enseignants, étudiants ou personnels de La Sorbonne, il faut une lettre d'invitation pour pouvoir entrer à La Sorbonne, prière de m'écrire pour recevoir cette invitation gratuitement: mounirnassor@yahoo.co.in

Cette lettre d'invitation vous sera adressée dans les 24 heures par email.

Nombre de places limité à 70 personnes.

Mounir Nassor

Bande-annonce (utiliser Internet Explorer au lieu de Mozilla-Firefox si cela ne fonctionne pas et vice-versa):

An insightful article from The Hindu:

Which Mrs. Iyer?

By Rahul De (published Feb 8, 2003):

[http://www.hinduonnet.com/thehindu/2003/02/08/stories/2003020800041000.htm]

Which Mrs. Iyer do we emulate, the one who is the humanitarian or the one who is the strategist...? I fear the answer to that question.

As I came away from the film "Mr. and Mrs. Iyer" there was one question that I puzzled over for the longest time: why did Mrs. Iyer suddenly claim Raja as her husband? The first answer, the most obvious one, that came to mind was that she wanted to save his life as a humanitarian gesture — a need to protect a fellow human being. And she could do this despite having had doubts about him, earlier, when she had realised that he was a Muslim (while she was a conservative Hindu Brahmin) and had had a despairing moment after realising she had drunk water from a bottle he had touched to his lips. So when some murderous fanatics came into the bus they were travelling in and started picking on the passengers, `testing' the males to see who was a Muslim they could isolate, Mrs. Iyer's reaction was to thrust her child on Raja's shoulder and when the goons asked him about his identity she said he was Mr. Iyer, father of her son. They moved on and picked on a frail old man, whom they killed, while Raja was spared.

Another answer that came to me later was that it wasn't a humanitarian gesture at all, on the part of Mrs. Iyer, but a utilitarian, functional one, wherein she didn't want to lose out on a man who was helping her with her child, and who, till that point, had been the only one in the bus to do so. In a later moment in the film, when they were isolated in a forest guest house, and the violence had come close to them again and Raja said that he wanted to leave, she held him back saying he was the one she and her child, Santhanam, could rely on for safety. He could not walk out on them.

Mrs. Iyer's motives in saving Raja's life are poignant at this juncture in history when many of us are wondering why such a large number of people, many from the educated middle class, joined hands in the genocide and murder and disenfranchisement of thousands of innocent Muslims in the State of Gujarat. After the torching of a train car in Godhra, in which 58 persons were killed, a pogrom of mass extermination was unleashed in a coordinated and planned manner by the Sangh Parivar elements in Gujarat, and this was aided by the educated classes. It is now well documented by several enquiry commissions that officials of the State Government participated in this genocide by preventing the police from protecting citizens and by providing crucial demographic data to the murderers to carry out their deeds with deadly precision. After the carnage Hindu doctors refused to treat patients whom they could discern as Muslims, they were turned away from dispensaries or left unattended on hospital beds, and Hindu lawyers refused to file cases on behalf of Muslim victims who wanted to claim compensation.

After all this, I shivered with anger when I heard the pronouncements of the leaders, who had led the murderers in Gujarat, about the onset of `Hindu Rashtra', `cultural nationalism' and the saving of `Hindu Gaurav'. An outrageous and inhuman rhetoric that fed on the plight of the victims had become an election campaign. As a Hindu who grew up in middle-class India I had never had the feeling that either Hindu pride or Hindu heritage was in any sort of danger and needed rescuing. I grew up knowing that a multi-religious, tolerant and secular society was a given and that the occasional eruptions of ethnic violence were aberrations resulting from modern India's traumatic birth. There were, too, fringe elements who played up communal tensions, but they were a minority and would soon disappear. However, this last never happened and the fringe elements are now claiming to be the dominant players, poised as they are to forever change the social fabric of India.

Perhaps, the dilemma that Mrs. Iyer poses for us is one that we face in our lives today. (Here, my referent, `we' is the larger set of the educated, upper-caste, Hindu middle-class that Mrs. Iyer belongs to). We confront today the forces of fascism that threaten to destroy all that we have stood for, in the past and now, and replace it with a narrow, murderous and obtuse worldview that dares us to look it in the eye. Mrs. Iyer protected her fellow passenger instinctively, imaginatively. The quandary for us is how we are going to do the same for our fellow passengers. Which Mrs. Iyer do we emulate, the one who is the humanitarian or the one who is the strategist; the one who is horrified by the situation and rushes to rescue, or the Tam-Bram Hindu who calculates that saving a particular Muslim was in her and her son's best interests?

I fear the answer to that question.

Nowadays, it is difficult to use words such as `secularism' and `tolerance' and `human rights' as these have been carefully and deliberately poisoned by the Sangh Parivar. Even some of our intellectuals, who otherwise do not support the Sangh elements, consider these ideas `western' and of not much import in our non-western society. It is as if such concepts belonged to an archaic and foreign reign that is now over and the erstwhile, shamefaced, rulers have taken their ideas with them. To use such words is foolish, if not anti-national.

So we cannot now stand up for our fellow citizens, the minorities who are being victimised, on the grounds of secularism, tolerance and basic human rights. We cannot now claim that they have a right to live their culture and practise their faith in whatever manner they choose and we have to uphold this right as it is a fundamental basis of our democracy. We cannot now say those things.

We have to choose another Mrs. Iyer. We have to calculate the worth of supporting our fellow citizens and we have to couch our emotional states in the language of market analysis and economics. We have to say now that riots are bad for business, killing and rape take a toll on the exchequer, communal tension adversely affects productivity and India's decline in the indices that measure human rights could jeopardise its chances of getting great deals at the World Trade Organisation. And so on. Charts, diagrams, figures, PowerPoint bullets and executive summaries have to replace arguments about human dignity and justice.

Cruel though these words may sound, they are, I feel, the only strategic option left to us. We are, like the mainstream media, caught between the Scylla of cheerleading market reforms and economic liberalisation on the one hand, and the Charybdis of somehow explaining the horrors of the communal carnage let loose in Gujarat on the other, and this is especially bothersome since both are being unleashed by the same political forces. To make matters worse, it appears that we are unable to see any causal link between the one and the other. It is in this context that I suggest, positively and not mockingly, that the assault on minorities has to be challenged on a rational basis and the ideology of hate has to be subverted by showing that it is not economically sound. Hate feeds the political vote-mill but in the medium and long-term it leads to instability, economic uncertainty and decline in consumer and investor confidence. This enables demagogues to further the hate agenda, setting off a vicious cycle. There are many instances in history where this cycle has played out its lethal consequences.

Mrs. Iyer needed the putative Mr. Iyer, and he needed her, to complete the long and difficult journey in the film. In like manner we need our fellow citizens to complete our long journeys, for our very rational and selfish needs.

(The writer is an Associate Professor of Information Systems, IIM, Bangalore.)

Other links and articles:

"Love in times of riots" by MINI ANTHIKAD-CHHIBBER (The Hindu, Feb 24, 2003):

http://www.hinduonnet.com/thehindu/mp/2003/02/24/stories/2003022401730400.htm
Wikipedia: "Mr. and Mrs. Iyer"

http://en.wikipedia.org/wiki/Mr._and_Mrs._Iyer

Sunday, March 15, 2009

March 19, 2009: Meeting with Anita Desai invited by ERCLA - Université de la Sorbonne Paris IV (Vanessa Guignery et François Gallix)


The great Indian writer Anita Desai whose very famous novel In Custody is currently on the program of the French exam for teachers ("agrégation") was invited to talk about her book and about her work as a writer yesterday evening (March 18) at Ecole Normale Supérieure (rue d'Ulm) in Paris by Professor Vanessa Guignery and Professor François Gallix from the university of La Sorbonne-Paris IV.

Here are a few video sequences and photos taken during this very interesting discussion and meeting. The sound is not very good, you might need to use loud speakers and/or increase to volume. Switch to Internet Explorer or Mozilla Firefox (and vice versa) in case these videos do not work. I apologise for the poor quality of these videos and pictures.